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And now that it's years later, I think I know why I got that feeling of jealousy and regret at the idea of it not coming out on Traffic Violation. It felt good.Įventually, I pressed up the 12" LP version of "Where You Are, and Where You Want To Be" on Traffic Violation, I even did the second and third pressings of the CD. "And I'll scream it till your ears bleed, You'll always have a friend in me." I was singing too, and I knew in my heart I was part of it. Mike Rok Lok was there screaming his heart out. It was obvious she was just as much a part of it as any of the guys playing the instruments. I looked over and saw Deserae crying and singing along. When the music dropped out for the sing songy part in For Meg everyone there knew they were part of something important. I remember seeing 'em in a basement in Smithtown once. If you were there, just in the room while they were playing, you were part of it. Being into On The Might of Princes felt a lot like being in On the Might of Princes. Maybe it was that sense of uncool, or the rejection of ego - or even the aloofness that led to such a goofy record cover - that allowed people to feel that On The Might of Princes was such an important band. The cover was better than just unmarketable, it actually made you feel uncool buying it.
It's a big fat black guy and a pale, freakishly skinny white guy running on the beach in their underwear. But all that stuff is academic, what totally rules about this cover is it's sheer ridiculousness. There was no ego bullshit from the band about it just being Jason on the cover, much less any bullshit about some dude from a whole 'nother band being on there too. I think the photo also has something to say about the cooperative scene that we had back then. I still love looking at the juxtaposition of two boneheads from Long Island running down the beach away from the palm tree in the background. It was one of the first jaunts that this new crop of Long Island bands had taken that far out. The shot was taken when Contra and On The Might of Princes arrived on the west coast during summer tour in 1999. To me, it represented a lot of what was Long Island punk at the time. But once we had it in there, we knew it was perfect.
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I don't remember who's idea it was to put that photo of Jason and Andolpho on the cover. Probably about 30 seconds in to the tracking the first song, Arik had asked them to do the CD on Creep Records. I wanted to put this record out, and badly. My jaw dropped, and (along with the curly fries) I had a lump of jealousy and regret in my stomach. A couple of weeks later Brian and I got our hands on a 60 minute TDK tape of the songs that would become "Where You Are and Where You Want To Be." I remember pretty vividly, us sitting there in the Sea Port Diner parking lot, just listening to song after song. We briefly bounced the idea of asking those dudes before they left if they wanted to do the record on Traffic Violation. I was doing Traffic Violation Records with my buddy Brian at the time. It was the same punk-infested suburban colonial where Long Island bands like Sleepasaurus, Striped Basstards, Kill Your Idols, and Contra had all recorded before them. So in 2000, On The Might of Princes trekked out to Westchester, PA to record with Arik and Mike at the Creep House. Although, he was always better at getting people mad at him, than getting mad at the drums. Enriquez had come around later on, bringing tighter and more technical shit to the table. I'm not sure where Nicole fit in, but I remember her hitting the drums so hard that I just kinda figured she was mad at them. Influences: Sunny Day Real Estate and Bad Brains.' Tommy and Lou had known each other from high school, which of course, back then, was just a couple of years back. You know, the kind that reads, 'skinny red haired guitar guy looking for band. He'd hooked up with Tommy through some kind of ad somewhere looking for a band. Jason had recently moved from Connecticut - or maybe Florida or some shit - and he was living with his old man in Selden. My earliest memory of On The Might Of Princes was drinking 40's in the King Touchless Car Wash parking lot with Tommy and Jason and a bunch of other dudes in the summer of 1999. I'm not sure if this is an edited version, so please forgive any mistakes! I figured I'd post them here along with some pictures of the band. Vitus this weekend made me think of the liner notes I wrote for the "Where You Are And Where You Want To Be" reissue CD from 2004-ish. The news that On The Might of Princes was canceling their appearances at Long Island Fest and St.
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On The Might Of Princes Liner Notes 13 June 2013